Megjelent: 15.10.2020 Stílus: Indie Rock, beat Nem egyszerű dolog életvidám zenét készíteni úgy, hogy az ne tűnjön erőltetett gagyinak. Különösen igaz ez az alternatív közegből érkező művészekre, akiknek fontosabb az hogy önazonosak maradjanak művészetükben, mint hogy milliószám hallgassák őket. A popzenében még elmegy ez, mivel ott - jobb esetben - nem azonosulni akarunk a tökéletes … Continue reading Carson Coma – Lesz, ami Lesz Kritika
Released: 21.09.2020 Genre: Sludge metal, Stoner metal, Hungary is not the first country that comes to mind when the topic of extreme metal springs up. Even though one of the first black metal bands in the world was formed here, and the underground metal scene is by no means deserted, there haven't been many breakout … Continue reading Lazarvs – Lazarvs Review
Megjelenés: 2020.07.10. Műfaj: Synthwave Az elvárásainkat egy új album felé az előadóval való korábbi tapasztalainkra alapozni teljesen természetes, viszont első hallgatáskor ilyenkor kellemetlen meglepetésként érhet ha mást kapunk. Különösen igaz ez, ha nagyon izgatottak vagyunk egy megjelenés iránt, előre elképzeljük és megalkotjuk a fejünkben, hogyan fog hangzani és még egy eseményt eköré tervezünk meg. Számomra … Continue reading The Midnight – Monsters Kritika
Released: 10.07.2020. Genre: Synthwave Basing your expectations towards a new album on your past experiences with the artist is natural, but it can catch you off guard on your first listen when you get something else. It's especially true when you're really excited for a release, when you already imagine what it would sound like, … Continue reading The Midnight – Monsters Review
Released: 22/05/2020 Genre: anything you want The 1975 have come a long, long way since their debut album a mere 7 years ago. The inoffensive synth-rock that dominated their self-titled LP was catchy and well-produced enough to earn a name for themselves, but ambitious is hardly the word to define it with. With each subsequent … Continue reading The 1975 – Notes on a Conditional Form Review
Megjelenés: 23.03.2020 Műfaj: Trap, hip-hop Krúbi két évvel ezelőtti berobbanása egy felüdülés volt a magyar rap sokszor joggal lesajnált színterén. Noha a műfaj világszerte népszerűbb mint valaha, és nagyjából az évtized közepe óta sorra termelte ki a nagyobbnál nagyobb egyéniségeit, nálunk az újvonalas rap egyedibb, izgalmasabb képviselőinek nem sikerült úgy leigázni a streamingoldalak playlistjeit mint … Continue reading Krúbi – Ösztönlény Kritika
Released: 09.04.2020 Genre: Symphonic metal Nightwish's success story comes from two main reasons: firstly, songwriter-keyboardist-bandleader Tuomas Holopainen's realization that female operatic vocals make European-style metal accessible to a previously unreached market (which mainly consists of teenage girls), and secondly, the fact that Holopainen is a legitimately innovative composer, who dared to take the concept of … Continue reading Nightwish – Human :II: Nature Review
Released: 20.03.2020 Genre: R&B, Synthpop There is this theory in popular culture called the 30-year nostalgia cycle. It says that approximately three decades is the time period after which the culture of a certain era becomes appreciated again. This, of course, is not set in stone: the cycle can shift anywhere between about 15 years … Continue reading The Weeknd – After Hours Review
Released: 21.02.2020 Genre: Hard Rock, Arena Rock "Rock is dead" - as many veteran artists and fans like to moan. It's certainly not in its best condition and looking at the current state of popular culture, it probably won't be as popular again as it was in its golden ages anytime soon. The reasons why … Continue reading H.E.A.T – H.E.A.T II Review
Released: 21.02.2020 Genre: Heavy Metal Throughout the 2010s, we saw an increasing member of legends from the golden ages of rock music pass away. While it's a sad phenomenon, it's inevitable, as these people weren't exactly famous for their straight-edge lifestyle and them reaching their late sixties and seventies was already a gift from life … Continue reading Ozzy Osbourne – Ordinary Man Review
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